Showing posts with label TV Movie. Show all posts
Showing posts with label TV Movie. Show all posts

Sunday, 17 November 2013

Threads - Will's Review

Originally released in 1984, when nuclear war looked frighteningly possible, even likely, Threads is a docu-drama by the BBC, detailing the possible effects of a nuclear strike, on Britain generally, and on 2 families in particular.

I vaguely remember this causing a bit of a fuss when it was shown on TV, and I seem to recall a big deal being made when it was repeated in the early 90's too; I finally saw it for the first time about 8 years ago, and again for this review. It isn't particularly a film that benefits from a second viewing, as much of its impact comes from the shock of the severity of the situation; but fear not, imaginary reader, as my memory of the firt time around is still clear 9 years later (truth be told, I could probably have 'cheated' and done this without a rewatch!).
It starts of reasonably soap-opera-ish, with our main characters deciding to marry because of an unplanned pregnancy, while their respective families deal with their versions feuds and problems. One thing that you don't normally here or see in dips though, are reports about the mounting difficulties between the west (specifically the US), and The Soviet Union.

Now, bear in mind that this was 1983. The world was locked in a Cold War that always seemed dangerously close to turning hot; in real life people had actually been sent the government produced booklets featured in the film, detailing what to do during nuclear attack (you were supposed to use the three minute warning to, amongst other things, remove most if your doors and use then to build a makeshift shelter).

As uncomfortable as this movie is to watch now, watching it then must have been almost too much to bear, and must have cost many people more than just the one night's sleep.

You see, in the movie we eventually take a detour from the soap style (and, thankfully, from real life) as the news reports become more prominent on the story, and more urgent in nature; This cumulates when the bomb hits.

If the initial strike is horrific, then I do not have words for the shockwave.

For all of the horrific images, for all of the human suffering, one of the most powerful images in the movie is that of a glass milk bottle on a doorstep, meal ring as the wave hits. (if you don't know why an empty milk bottle would be on your doorstep, ask your dad, you whippersnapper you.)

From there of course, it only gets worse; those killed in the blast are the lucky ones, as the movie goes into great detail about the breakdown if society, to radiation sickness, to nuclear winter. If anything, I suppose this is an apocalypse movie; but not the 'triumphant outpost of humanity' affair you're used to, where a group of heroes make the best of a bad situation; this is bleak, and realistic, and horrid; this is you or me, stuck in hell, watching everything we know fall apart.

The bleak realism of the movie is fairly typical of the British approach to the threat of nuclear war; while our US counterparts were taught to 'duck and cover' and that everything would be okay, the TV information films produced, but thankfully never aired for real (although they appear in the movie), instead told you to wrap your dead in plastic, and store them in a separate room until the fallout has calendar down enough to drag them outside and dig them a shallow grave.

The movie details further and further into the future and, for me, this is where it falls down. Everything up to the '2 years later' mark seems fair enough; but thereafter I can't help but feel they got carried away. By the '13 years later' segment, anyone born post-strike can't even talk properly, blurting out ill-formed words of broken English ("babby now!" For instance, means "I think the baby is coming"). While I get that education would be limited, I refuse to accept that children would no longer naturally learn to pick up the language from those around them.

Despite it's flawed ending though, it is a highly unpleasant, depressing, horrific, and very important movie; one which I strongly recommend that you watch (and one that should be mandatory viewing for anyone joining a political or military career path.)

Saturday, 7 April 2012

I Miss You, Hugs & Kisses - Lisa's Review



*** SPOILERS ***

This weeks movie seemed to be keeping with the trend of sedative viewing.

I found this one hard viewing.  It was so dull and I was so uninterested in it, getting to the end was a struggle.  I still feel I probably missed half of it through mind drifting.  It is a supposed true story, but how much of this has been kept close to the actual story is anyones guess.


The movie starts with a murder of a supposedly beautiful (I say supposed as I didn't think she was) model Magdalene.  All fingers are pointing at her husband, Charles.  The movie plays out as a court room drama with flashbacks to events leading up to the murder.  As it does, it introduces possible killer after killer and uncovers new motives.

As with last weeks movie, this one had an appearance of being made for TV.  There were a few scenes which would have raised a few eyebrows from the usual viewers of this kind of dross (and they were the reasons it made the DPP list) but asides from that, I can see this alongside Columbo or Murder she Wrote on a Sunday afternoon.

What else can I say about this movie without boring you even more than I was with regards to the plot... scenes in the movie that probably led to it being placed on the nasties list??

A Chicken Slaughterhouse (all been seen before so not surprising)
Head Bludgeoning (we see the victim being bludgeoned by every suspect leaving lots of unanswered questions for the viewer... if indeed they care)
A Stabbing followed by a suggestion of necrophilia (performed off screen - This was a bit disturbing as it seemed so out of place in the movie, something genuinely nasty)
A disgruntled husbands fantasies about killing his wife (this was more humorous than anything else)


This movie is all over the place in the court room.  We keep getting more and more information and just when you think you know 'who did it', we are presented with another would-be killer.  Thing is... I didn't care who did it.  Was it the husband Charles?  After all Magdalene won't sleep with him and he is in love with another woman.  He also talks at length with his best friend Gershen (I kept seeing Bobby Ewing when I looked at him!) about ways to kill his wife.  Was it Gershen, his confidant who was actually having an affair with the victim? (naughty boy!) Was it the escaped serial killer with the penchant for sex with corpses?  (On a side note, this character seemed to have no place in the movie.  I could see a movie about him working though.) Even cops are fingered as possible murderers.

After everything has played out in the court, the jury find Charles guilty.  They are then asked to stand up as their numbers are called 1 at a time, if they agreed with the verdict... was this ever the case in reality? (Will?)

We end the movie with Charles writing a letter to Paulie (not sure if that was his daughter or the woman he was having the affair with... I think it was the daughter).  He has been in prison for a couple of years and is appealing his conviction.  The things he seems most perturbed about are the fact he's had to have his head shaved and the food is crap (so much so its brought him out in boils, lol).

Rather dull ending to a very dull movie.  Not quite as bad as last week, it has to be said, but still... not something I'll ever watch again.

I wouldn't bother with this one folks.  Nothing particularly nasty or rivetting here.



Please use the comments bellow only to comment on this post - to write your own review, please comment on the main post for this movie.