Oh, Universal Monsters, how I love thee! And this is among the best of the bunch!
Sadly, the version we have now is incomplete; despite testing well, universal cut 15 mins (for time, not censorship reasons) shortly after the film previewed, and those scenes are now lost forever. This studio cut though, was still subject to censorship when it hit our shores.
Obviously, due to the era in which it was made, it is not as explicit or fast paced as we have come to expect; I'd even go as far as to say that there is a 'knack' to watching and appreciating movies from the 30's and 40's, in the same way that one needs to adopt a different frame of mind to watch say, kids films, each decade I think also requires its own frame of mind (think how different even 80's movies are than today's). But I digress.
I love this movie.
It's beautifully lit and shot, the acting is for the most part superb (Karloff, as always, is unfaultable in the role of the monster) and most of the makeup and special effects still stand up today - witness the scene with miniature people in the foreground, while full-sized actors walk around behind them; Today they would probably attempt to CGI the homunculi and it would look awfull.
It's probably (almost certainly) the first horror movie to use a device that would later become associated with postmodernism; The film opens with Mary Shelly talking about how the events of the first film were only the beginning. Shelly is played by Elsa Lanchester, who pulls double duty as The Bride (Credited in the roll simply as "?"). It also has some subtle (too subtle by today's standards - I expect many people miss it) homosexuality references, in the shape of Dr. Pretorius - Dr. Frankenstein's now disgraced former professor (we never learn of the reason for his 'disgrace') and his desire for men to be able to make life together.
The relationship between the Monster and the blind man is superb, and has a great "fairy tale" quality to it (although, in reality, it is from Shelly's original book), and I wish we could have spent more time with them, or have seen more of the hermit once the two parted company.
The creation sequence is a blast, using parts of the original machine, and a few new additions; as was his bent Dwight Frye steels every scene he's in as Karl, the Barons freakish, yet underplayed, assistant.
Finally, the bride herself, who in her (shockingly brief) time on screen is portrait brilliantly all twitching movements, frightened eyes and animalistic grunts and hisses.
Superb.
The sick bastards behind VideoNastyAWeek.co.uk and BeyondNasty.co.uk find yet another excuse to keep watching horror movies...
Showing posts with label Monster. Show all posts
Showing posts with label Monster. Show all posts
Saturday, 9 February 2013
Bride of Frankenstein - Lisa's Review
I must be one of the few people who hadn't seen this weeks movie in its entirety before. I have seen clips and probably so many, there wasn't much of the movie I hadn't seen.
It receives critical acclaim, everyone seems to love it. What did I think? Mmmmm meh..... I didn't dislike it, but I wouldn't go mad about it. I kinda get like that about movies everyone else seems to love, I just can't be arsed getting all excited about. Star Wars, Star Trek..... Zzzzzzzzzzzz.
I haven't actually seen the predecessor, but since I know the basic story of Frankenstein and have seen other versions, I don't think I was missing much back story.
What I would say I did like about the movie were the characters of Praetorious, The Monster and The Bride of Frankenstein. Its interesting how iconic the bride is when she is in the movie for such a short period of time and doesn't even speak beyond a series of grunts and hisses. I was shocked how little she is actually in it.
I won't go into a big description about what this movie is about as I very much doubt anyone hasn't seen it and I've got the headache from hell.
Basically Henry Frankenstein has realised the error of his ways in creating The Monster in the first movie, but when he discovers the monster is not in actual fact dead, as everyone believes, he is cajoled into helping his former mentor, the mad Dr Praetorious in creating a woman for him. The movie is about little more than that. Some people are killed by the monster, we are shown he has the potential for love and learning with his short friendship with a blind man and we follow Henrys struggle with his conscious in what he's doing versus his scientific mind.
While the characters and makeup are great, its just not a movie I think I would watch again. I can understand why so many people love it. It has an iconic feel about it. You can watch it and realise straight away what scenes would be the stand-out ones. Its just not my kind of movie.
If you've reached adulthood without seeing this movie, there's probably a reason. If you're the kind of person who would love this movie... you'll have seen it already.
Wednesday, 14 November 2012
The Werewolf and The Yeti - Will's Review
This one is a gap in the run for many who have tried to attempt the DPP72, as it has never been re-released in the UK or the US... I'm therefore forgiving myself the late review, instead being great full that there's a review at all, however untimely. I'll give a full (as I can manage) plot summery at the end of the review, because this is a tough one to get hold of, and you may want to read about it, given that its a tough one to get to see.
Sunday, 22 July 2012
Possession - Will's Review
I honestly have no idea what to say about this movie.
If asked what it's about I'd be forced to answer with concepts, rather than plot points; it's about duality, divorce, resentment, madness, betrayal; so many things that I could probably list them all day, and still later think of some that I missed!
Filmed in Berlin, with an international cast (including a young Sam Neil) by a polish director, it at times has the look of a French art house movie, at time it borders on German expressionism.
Saturday, 28 May 2011
Absurd - Will's Review
I cannot for the life of me see how this movie found itself on the DPP list; much less how it was Successfully Prosecuted; It boggles the mind a a jury could watch this and find it sufficiently offensive to jail people over!
With the Tile "Absurd", and the US title "Horrible" I was so hoping to hate this film - the review would have written itself!
Okay, opens with the most casual "Chase" sequence I've ever seen (it looks like 2 guys just out for a jog) the "Acting" (both from the origional Italian actors, and the US voice actors hired to do the dubbing) is mostly terrible, and some of the effects are less than special, but it has a certain charm to it, and with another pass of the script and a better cast, I think it could actually have been quite good!.
When 2 men arrive form Greece to a small town (I believe, despite its Italian roots, the film is set in the USA), things take a turn for the strange - One of the men has seriously accelerated regeneration / healing powers (he needs to be operated on after impaling himself on a fence during the aforementioned jog, and almost heals while still in theatre) the other is a mysterious priest, reluctant to divulge any information about himself, or healing-man.
We're also introduced to a family who's members include a girl on traction for a deviated spine, and the most irritating boy in the world, who's reaction to not enjoying a TV show seems to be to pull "I'm pooing myself" faces and then have the fakeist tantrum in the history of film:
The priest also gets what is now officially my 2nd favourite priest-line (after the 'Braindead' / 'Dead Alive' classic "I kick arse for The Lord"); The line "I serve god with Biochemistry" is delivered without a trace of irony or humour.
By about the 20 minute mark, the movie has all the trappings of a decent mystery, and the last half hour of the film is very reminiscent of a low-rent "Halloween", right down to the films moody electronic score, which recalls Carpenters classic theme. And some genuine tension is somehow squeezed out of "Indestructible killer v's Near-crippled Girl" which is impressive.
The movie also has a great (but Cheesy) final shot, that may have been meant as a sequel setup, but was more likely just intended to be a 'sting' (although it does feature the most awkward lingering close up of ever survivor in turn).
There are better ways to kill a couple of hours, and it's not a "get the beers in" movie, but if you can borrow a copy for free, it's worth a look when you're board one Sunday afternoon.
Human Body Count: 6
Animal Body Count: 1 (implied)
Boobs: 0
Most memorable death: Worlds fastest pre-heating oven.
Please use the comments bellow only to comment on this post - to write your own review, please comment on the "Reader Reviews" post for this movie.
With the Tile "Absurd", and the US title "Horrible" I was so hoping to hate this film - the review would have written itself!
Okay, opens with the most casual "Chase" sequence I've ever seen (it looks like 2 guys just out for a jog) the "Acting" (both from the origional Italian actors, and the US voice actors hired to do the dubbing) is mostly terrible, and some of the effects are less than special, but it has a certain charm to it, and with another pass of the script and a better cast, I think it could actually have been quite good!.
When 2 men arrive form Greece to a small town (I believe, despite its Italian roots, the film is set in the USA), things take a turn for the strange - One of the men has seriously accelerated regeneration / healing powers (he needs to be operated on after impaling himself on a fence during the aforementioned jog, and almost heals while still in theatre) the other is a mysterious priest, reluctant to divulge any information about himself, or healing-man.
We're also introduced to a family who's members include a girl on traction for a deviated spine, and the most irritating boy in the world, who's reaction to not enjoying a TV show seems to be to pull "I'm pooing myself" faces and then have the fakeist tantrum in the history of film:
see?
The priest also gets what is now officially my 2nd favourite priest-line (after the 'Braindead' / 'Dead Alive' classic "I kick arse for The Lord"); The line "I serve god with Biochemistry" is delivered without a trace of irony or humour.
By about the 20 minute mark, the movie has all the trappings of a decent mystery, and the last half hour of the film is very reminiscent of a low-rent "Halloween", right down to the films moody electronic score, which recalls Carpenters classic theme. And some genuine tension is somehow squeezed out of "Indestructible killer v's Near-crippled Girl" which is impressive.
The movie also has a great (but Cheesy) final shot, that may have been meant as a sequel setup, but was more likely just intended to be a 'sting' (although it does feature the most awkward lingering close up of ever survivor in turn).
There are better ways to kill a couple of hours, and it's not a "get the beers in" movie, but if you can borrow a copy for free, it's worth a look when you're board one Sunday afternoon.
Human Body Count: 6
Animal Body Count: 1 (implied)
Boobs: 0
Most memorable death: Worlds fastest pre-heating oven.
Please use the comments bellow only to comment on this post - to write your own review, please comment on the "Reader Reviews" post for this movie.
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