When we first started Video Nasty A Week (the forerunner to this very blog) the idea was that people could watch along at home, then use the comments section as a discussion area... Kind of like a book club, but with less books and more horror movies; our audience was originally intended to comprise of people who had actually seen the movies being discussed. It never panned out that way, and so many of our reviews are now actual reviews in the more orthodox sense of the word.
This week though, I feel the movie is old enough and popular enough that chances are good that you've already seen it; further I can't really talk about any of the things I want to talk about /without/ spoiling something.
So, if you've never seen The Sixth Sense, if you've somehow got this far without learning spoilers; go now. Bookmark this page, go watch the movie, come back later. Seriously.
The reason I was so keen to get rid of people who haven't seen the movie yet, is that I want to talk about the ending. An ending can make or break a movie, a movie which is perfectly good all the way through can be elevated to greatness, or ruined completely, based on the ending. This is never truer than in the case of a twist ending.
The trouble is that with a truly great twist ending there should be enough clues throughout the movie that anyone looking for a twist ending should spot the exact twist coming a mile away; it's these moments that make the twist so shocking, providing a feeling that all of the information was there, and leaving you feeling that the twist is completely, obvious, and gels with everything you have seen.
The Sixth Sense has such an ending.
If you go in, knowing there is a twist, then it is almost immediately apparent that Willis' character dies in basically the first scene. We never again see him interact with any object when other people are around (he never so much as moves a chair to sit down) and no-one but Cole speaks to, or even looks directly at him, for the entire movie. Cole even tells us that ghosts do not realise that they are dead.
The fact that all these clues are right there in the open is testament to Shyamalan as both a writer and a director; even if his subsequent films wold never quite recapture that spark, at least from a writing point of view.
Up until the twist is revealed, the movie is still a good one; child star Haley Joel Osment puts in a star turn, and even Bruce Willis actually acts (another testament to Shyamalan as a director); but it's the ending that makes it a great one. There's some interesting shot choices, including a couple of incredibly long takes. These long takes are superb in their own right (most especially the handheld shot which follows Cole's mother as she moves from the kitchen to the laundry and back again, only to find her cupboards all open) but break the mood of the movie by 'standing out' a little to much (again, most especially the hand-held shot).
I first saw this movie at the cinema when it came out, the twist suckered me completely, and I loved it. I was wondering how well it would survive a second viewing (even 15 years later) with the twist known; surprisingly well! The moments I mentioned that hint at the twist are interesting second time around, and the main story is, as I've said, still a great one.
